I love what I do. I am currently surrounded by 80-100 pots that came out of the kiln this week. I have lined them all up on my studio tables so that I can sand the bottoms smooth, price sticker and pack them to take to my show this weekend, Handmade Harvest. I can't tell you how satisfying it is to see the fruits of my labour and to have three back-to-back, super successful kiln firings. The past three months have been heavy in production for me and though it has been stressful at times (including the kiln needing expensive repairs and our beloved cat passing away after 17 glorious years) but this practice of keeping my hands busy has made it all manageable. It's been a minimum of 12 hr days, 6-7 days a week and through this hard work my pots are made and my sculptures for the mentorship group show are complete. Sigh of relief... 

With ceramics, your hands are always busy but at times your mind can wander. One thing I always carry in the back on my mind is that being able to do this work is an incredible privilege, yet I'm doing it during a time when the world is pretty much in shambles. Perhaps not the earth, it will prevail over us in the long run, but civilization might be. I sometimes have to laugh nervously when a customer says, "Cute pots!" because my mental response is sometimes, "Thanks, I was thinking about what an uncertain future the human race has while I made that!"

Hey, are you still reading this? Ok. Good. Moving forward, the big, bad questions of: Does the world need more stuff? Is there a way to make this work without burdening the planet? How am I preparing or helping my community to deal with hardships to come by making art?

It's a crunchy subject that no one enjoys. I had to block it out for the past few years to be able to actually make art, but many of us are pondering this as we work away. What I've found that there aren't always good answers to these questions but I'd rather think them than keep creating mindlessly. Of course, life has a funny way of giving you answers if you pay close attention. Just this morning I saw that NCECA posted Malcolm Davis' 2010 lecture in which he touches on this very subject. For him, clay was inevitable but his belief in social justice work was always there behind the scenes. If you've been pondering how your tiny studio art practice relates to the larger (pretty scary) issues of today's world, listen in around the 36 min mark (then go back and take in the entire thing. It's fantastic!) 

Real talk. Art talk. Let me know if you're also working your way through these big questions as you grow your art practice. 

"Art restores hope." Malcolm Davis